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With The Ancient Masked Temple, Camilo Pachón aims to create a collective space in the Healing Complex with a programme of workshops, readings, performances and the traditions of carnival.

In her cross-media works, Anne Arndt critically and humorously scrutinises our public living space as a mirror of social cultures of power and remembrance.

In his work artist Asad Raza often explores dialogic exchange and rejects disciplinary boundaries. Raza conceives of art as a metabolic, active experience combining human, non-human beings.

Katja Auleger's artistic works critically observe (social) contexts and systems with aesthetic precision and are infused with subtle humor.

Borjana Ventzislavova (born in Sofia, Bulgaria) lives in Vienna and works with video, film, photography, installation and often works in public space.

Working between documentary and speculative fiction, Emilija Škarnulytė's video works take viewers through nuclear power plants, deep-sea data storage units and uncanny natural phenomena.

The ruїns collective was founded by Oleg Isakov, Elias Parvulesco and Teta Tsybulnyk in 2017 in Kyiv and is a film and art union.

In her practice Dana Kavelina often touches upon military violence and war, historical and individual trauma, memory, and critical perspectives on the historical canon.

Sven Johne is an artist and filmmaker based in Berlin. In his text, photo and video works, Sven Johne combines historical research and fictional narratives and deals with post-socialist biographies.

Anna Daučíková lives and works in Prague. In her practice she is working with painting, photography, video, and performance exploring authorship, gender and sexuality.

In her practice, Tekla Aslanishvili observes the shifting relations between governments, people, and their territories through the lens of large-scale infrastructure projects.

In his films and sculptural video installations, Driant Zeneli (*1983 in Shkoder, Albania) interweaves representations of power, science, mythology and fairy tales with individual narratives.

In her artistic work, Nino Kvrivishvili reflects on the history of textile production in Georgia, which was a central branch of industry in Soviet times.

Zhanna Kadyrova (*1981 in Brovary, Ukraine) has been working in the field of sculpture for 20 years and is currently one of the best-known artistic positions from Ukraine.

Nikita Kadan (*1982 in Kyjiv, Ukraine) works with painting, graphics, and installation, often in collaboration with architects, sociologists and human rights activists.

Jana Gunstheimer (*1974 in Zwickau) often combines drawings, paintings and objects in her artistic practise to create complex overall installations.

Uli Golub's (*1990 in Kharkiv, Ukraine) artistic practice includes video, installation, performance, photography and mixed-media collages. Storytelling forms the basis of her work.

Soviet-Ukrainian artist Fedir Tetianych was a visionary who was influenced by the ideas of space exploration and the flight of the cosmonaut Yuri Gagarin to space in 1961.

In June 2022, Irena Haiduk opens the exhibition Healing Complex (2018—ongoing) in the former church of St. Bonifatius, which is becoming a new meeting and community place in Gelsenkirchen.

In her work, Eva Kot'átková explores forms of power, manipulation, discrimination and control exercised by institutions upon those who deviate from the norm (or what is perceived as such).